Chilean Fernando Paz m degree in painting artistic curriculum 22 years: 2007 Live Arts participation contest 2007 National Museum of Fine Arts, Santiago de chile 2007 collective exhibition painting exhibition hall Idiot major university campus Avenida Alemania Temuco. Target individual painting exhibition 2007 Cultural Centre of Victoria. 2007 collective exhibition of contemporary art museum of Traigun. 2007 collective exhibition XXI century artists. Plaza Art Gallery Pinto ANBAL Temuco. 2007 collective exhibition Temuco Centro Cultural Conclave. 2006 artistic intervention with the group of students at UCT in Cerro Mariposa Space intervention with swirls of paper. 2006 collective exhibition for the National Da Culture in the streets of Temuco. 2006 painting Da collective activity of the Environment. 2005 exhibition of art school students UCT Recent proposals call. 2005 Third painting competition at the University de la Frontera. 2004 first painting competition at the University of la Frontera Neruda's youth. 2004 exhibition of winning work. 2004 exhibition of students in Casona Malmus Menchaca Lira. 2004 exhibition at UCT leadership. 2003 exhibition childbirth along the art group Studio 26. 2003 square statue intervention action ANBAL Pinto Art Studio 26. "Meta Painting introduction text by Fernando Paz Painting as a language has both aesthetic and physics laws in both the image and materiality. For example, when the painter tries to dislodge the viewer as he will have a surreal symbolic elements and images with a poetic structure that is inconsistent with the routine, but works with the law of chiaroscuro painting and can not evade this although the basic law is only a primary resource. Without contrast there is no picture, but the contrast is MINIMUM always exists. If it had not veramos ways, even a minimalist painting as the work of Barnet Neuman (1905-1970) can be completely white, but there is a pictorial from the opacity texture to the support frame is, what happens when The pigment is not involved in the fabric or not an object superimposed on the support which defines the image, and it is the support that is involved. Logic is generated by a physical volume and not a simulation of volume as it will make a representation. Then under this phenomenon we can say that the actual volume is not representation, but it still is, and this will be a representation of the volume itself. The phenomenon can be altered when the volume is involved with the light and in addition a source of light is caused by the pigment. The intention of addressing this source lumnica s basic premise is that the light is generated that is how the pictorial material is subject to a decision, in this context what would be the value of the material? The fact of structuring a formal quality. Under this idea serious light as the fundamental tool to define the position of the object in the perception gives him an identity, but that identity is generated as a conceptualizacin of what we see and it is these conceptions which define Regarding materiality pictorial elements the Russian artist Wassily Kandinsky (1879-1940) argue that the line is present in the drawing, in music, painting, sculpture and all demonstrations and line art that reveals the time, the weights, the pace and intensity. These powers of the line is similar to the powers of the light that is because the line is one of the tools that the light has to produce its effects. We say that the phenomenon of perception as light is able to construct a process, an order logic, which is intentional in a strategy course, as is the aesthetic experience and the problem that this research No attempts to resolve, with respect to the Heideggerian idea of ??aesthetic experience, Heidegger argues that communication occurs between the film and the viewer and the viewer to confront the work should enter the world of work. This means that the work is a source of artistic communication which does not have the same laws of conventional language communication. The work is what generates the phenomenon and is the viewer who interacts with the phenomenon, the work is who determines the aesthetic experience but it is the viewer who determines meaning, this occurs because the message that the work is not directly emitted, it's just a sign in which the viewer from their knowledge and experience is capable of analyzing hence the serobjetiva no experience, but if there is a point of communication is more rigid and the work is framed within a certain premise, this premise can be glimpsed in the visual discourse. In this case the basic premise of this research is that art should be seen as a discipline autonomous region asmisma, this idea of ??high amplitude can be approached from several points of view but in this case the point of view and journey to the observed fall in the observation of the powers that it has the plastic analyzed in this research, ie to analyze the pictorial language and light as a parent, offers possibilities for reflection n to these codes of pictorial language based on the idea that every language does not connect with troubled or social contexts, and politicians, is a fiction within its own discursive possibilities of visual arts but you see it is a inward gaze of man, art man is talking about men that does not condition that art should speak only of what makes the man, also can refer to and analyze the noise in the silence that surrounds the bodies of those men. Based on self-observation that raises the research may be said that in the process of art there are external elements that act as observations to develop the research, which in this case would be the phenomenon of light in terms of physics, as in aesthetic terms, but this observation is introduced into the laws of art, as we will do a landscape painter who observes the model and its fen less to achieve a representation, or as an impressionist aria, which part of the observation of natural phenomena and capture the energy that seeks to bring to work, but this energy will manifest to travs the language of painting is the brush color and all the others elements that has language pictorial. more info www.metapinturafpaz.blogspot.com